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Motor Tap

  • Apr. 8th, 2009 at 5:27 PM
Braid, yellow
Our pipes sound like a motor boat.

I kid you not. Nearly every time someone turns on the hot water in the kitchen, there is a horrible, moaning groan that reverberates through the house. My room is under the kitchen mostly, so I hear it ALL THE TIME. I'm kind of glad that I'm moving at the end of the month, since we've asked our landlord to fix it, and so far he hasn't done anything. He came, heard the horrible noises, told us he'd be back later, and evidently ran for the hills.

UMMM sketch! right - Messing about a bit with Carmen, who, if we're doing Film noir archetypes here, is your "Virgin" character - unrelentingly sweet and all that

Sketch below the cut )

In other news Digger is free now. If you weren't reading, or aware of Digger before, go read it now. Ursula Vernon is a supremely talented individual, and Digger is funny as hell sometimes.


Progress: 26 Pages

Felix

  • Dec. 11th, 2008 at 1:09 PM
Venture Bros
One of my characters has been frustrating me lately. His motives have gone all ambiguous, and I think he's also suddenly changed roles so drastically in the story so as to become a bad guy. Felix wasn't going to be a bad guy, but  I think he is now.

That is nothing to say with how frustrating it is to draw him consistently. I only manage consistancy with the main character, serpent, because I draw her ALL  THE TIME. Felix is harder to get right, since I'm not sure exactly how  to get the expressions I need on him. Everytime I come out with something I like, it dosen't look like Felix at all.

The first version I ever did of felix over a year ago was pretty close to how I wanted him to be:
Sketches below... )


Progress : 14 Pages

Main character sketches

  • Jun. 15th, 2007 at 9:33 PM
Braid, yellow

Practing the facial expressions of the main character - I think she looks best when she's annoyed. You can draw your own conclusions about the first one. I need to practice my low angles alot more

Cut for Sketches )

The Equipment

  • Jun. 10th, 2007 at 9:29 PM
Kawaii Not, Star
As noted in the title of my journal, I work entirely in digital ink. So far, I've not been so good with the physical ink, as I fail at keeping blotches away from my drawings - but that's beside the point.

Like many a digital artist, I use a tablet, but unlike many a digital artist (and unlike oh... 99% of laptop users I know) I run a tablet PC. If you've never seen one before, you're in for a treat, because these suckers are awesomely cool. I don't just say this because I have one and have made it one of my secondary life goals to pimp the tablet pc revolution around the world, but because everyone else who sees it says so too.

I currently am working on a Toshiba Satellite R15 Tablet Pc, which I affectionately named Aulis.


Stats:

14.1 inch screen
1.7 GHz Pentium M processor
80 GB Hard Drive
512 MB of RAM
Windows XP Tablet Edition
Battery life: 3.5 hours average, but I can squeeze about 4.25 if I'm careful
Weight: 6.2 lbs



The swivel hinge in the middle allows me to rotate the screen and lay it flat against the keyboard. The tablet pen that comes with it works just like a mouse, only better, because with the aid of programs like Microsoft OneNote, I can handwrite all of my school notes directly into my computer. The software can recognize my handwriting and this makes my notes searchable. It also has a built in application to transform handwriting directly into typed text. (By the way, this can account for many of the capitalization errors that invariably appear when I start to do text in tablet mode).  As a student, I can't even begin to tell you how helpful this is to me, especially when taking notes with lots of diagrams or formulas.

Best of all however, I can treat my computer like a piece of paper. I like to play around in programs like Ink Art and Alias Sketchbook Pro, which run nicely with my processing power and offer tablet friendly interfaces. The problem I find with sketching in photoshop (besides that I can't afford CS2) is that it runs a little slow on my processor, and I can't really run anything like music or the internet in the background if I want good performance - that and the screen is about the same dimensions as your standard 8.5' x11' piece of paper, and the photoshop menus tend to take up way too much space on my little laptop screen when I've flipped it to tablet mode (When laid flat, the screen switches to a portrait orientation rather than the standard landscape one).

When I need it too, my Toshiba will function just like a normal laptop. The single hinge tends to be a little bit less sturdy than a screen with two hinges, but the Toshiba design is generally much more stable than other Tablet PCs I've seen, and even after an entire year of abuse, shows no sign of weakening or strain.

I personally have a great deal of affection for the Toshiba brand in general - I have few complaints about my laptop, apart from occasionally being a bit of a turtle compared to laptops in the same price range. Unfortunately, the tablet functionality came with a heavy price tag, which meant I had to sacrifice a bit in the way of processing speed in order to get a price at which my parents would bite. At home, my parents have a stoneage Toshiba so old that it still runs Windows 95 - but, most importantly, it still runs, not bad for a laptop that's got to be at least 10 years old. We've got desktops that have burned out faster than that, and I've seen my friends with Acer laptops gasp with despair as they search desperately for that letter 'C' that just dropped off their keyboard, and I've watched another friend's three year old Dell go into bluescreenofdeath fatal shutdown. This model is a few years old now, but still runs fine, and I haven't been exactly kind to it.

I could probably spend two posts explaining why Tablets are the next age in laptop computing, but let's just get on with it shall we?

Apart from that I tend to use little else. Most of the characters of the comic are drawn, at least partly in image from real life persons. If they happen to be someone I know (and many of the looks of the important plot building characters are) , I usually make them sit down for a few minutes while I stare at them determinedly and produce charicatures that look vaguely like them. If they're inconveniently in other provinces, based off of persons that are fictional/movie stars/movie stars that are fictional, I start working on the characters from photos, like this guy:

Thorn


The resemblance is striking I know - but Mr Peck was the man in Jia's head for this one and I had to say I agreed with her. My goal is never to create an exact copy of the person, but a character inspired by their look or attitude. Sometimes this means that 110 pound, 5 foot three Redheads that live down the hall get turned into leggy double D firebrand songstresses A La Jessica Rabbit - but what can you do.

I also have a fedora and a dollar store toy gun lying around somewhere which will one day teach me how to draw hats and guns properly. I'm beginning to steal suit jackets off of my dad and brother for reference also Comic Progress:  Same as the last time I posted it  '^_^